Wintergatan – Marble Machine (music instrument using 2000 marbles)
mattkprovideo.com/2017/12/15/wintergatan-marble-machine/
http://www.wintergatan.net/#/news

mattkprovideo.com/2017/12/15/wintergatan-marble-machine/
http://www.wintergatan.net/#/news

https://mattkprovideo.com/2017/12/07/john-williams-documentary/
A documentary on the amazing John Williams. He scored most of the great movie epics of the last 30 years: Jaws, Close Encounters, Raiders of the Lost Ark and all its sequels, Star Wars and all its sequels!
His music is the best part of anything that he has worked on.
Williams score brought the fear and dread of the impending shark attacks in Jaws. He ( and George Lucas) had the great idea to have the music score for Star Wars contradict the pictures. High Tech futuristic imagery with old style pseudo classical music underneath gave the potentially goofy movie a seriousness and elegance it wouldn’t have had otherwise.
Say what you want about the Phantom Menace…. John Williams music score, especially “Duel of the Fates” is excellent!
At 14:06 you can see the Carbon Freeze scene from The Empire Strikes Back with the original undubbed voices!
mattkprovideo music video
“Light My Fire” by Strange Dayz Austin, Doors cover band.
“Prison Planet” by Marz Theron
Upright Bass Animation mattkprovideo.com/2017/10/31/upright/
Upright Bass Animation drawn in Adobe Flash, (Adobe Animate).
Part of an upcoming western swing music video.
Little Shop Of Horrors
mattkprovideo.com/2017/10/20/little-shop/
Made in Adobe Flash(Animate) , Adobe Photoshop and Adobe After Effects
Little Shop of Horrors, San Antonio, Woodlawn Theater
http://www.woodlawntheatre.org/event/aa983c86c15a0f3de5575efb3ada1798
October 13th, 2017 – November 5th, 2017
1920 Fredericksburg Rd. San Antonio TX, 78201 | 210-267-8388
Web commercial for Artex Funding.
Motion graphics created in Adobe Photoshop and After Effects.
Narrator: Matthew Kordelski
Music Videos for New York City hard rock band Audio Scar.
https://www.facebook.com/officialaudioscar
This is all of your hidden content. This will be invisible at first, but after clicking on the link above this will slide in.
NOTE! I had NOTHING to do with the creation of these Audio Scar music videos. I had no hand in shooting or editing them. I am posting them as a music fan trying to help them get their music out there.
mattkprovideo.com/2017/09/12/audio-scar-logo/
Audio Scar band logo , Audio Flash and After Effects I did the animation. I did NOT design the logo.
mattkprovideo.com/2017/09/07/mr-rogers-techno/
Coolest Mister Rogers Neighborhood episode ever?
http://www.neighborhoodarchive.com/mrn/episodes/0068/index.html
Coolest Mr Rogers Neighborhood episode ever? An early techno / electronic music create shows up to teach Fred Rogers about getting down to a new sound.
Mister Rogers arrives with a collection of model cycles which he plays with on the floor. He describes the difference between a tricycle, a bicycle, and a unicycle. Picture Picture shows a film about people riding real cycles including a tandem cycle made for two people.
After the film, Mister Rogers sings “Everybody’s Fancy” before Mr. McFeely stops by and describes how he rides his delivery bicycle.
Mister Rogers is invited to “Miss Nelson and Bruce’s dance studio” to see a musical computer.
At the dance studio, Mister Rogers visits with Bruce Haack who demonstrates a synthesizer which allows him to create various sounds. Miss Nelson arrives with a group of young dance students who spin as they sing a song about wheels.
The children continue moving and singing to the various sounds of the synthesizer as they pretend to ride bicycles and pretend that they are cats.
Mr. McFeely finds Mister Rogers at the dance studio to tell him that there is a surprise for him back at the house. Upon returning to his house, Mister Rogers enters to find his cat, Blackberry, waiting for him inside.
http://www.openculture.com/2014/05/mr-rogers-introduces-kids-to-experimental-electronic-music.html
While Haack’s Mr. Rogers appearance may not have seemed like much at the time, in hindsight this is a fascinating document of an artist who’s been called “The King of Techno” for his forward-looking sounds meeting the cutting edge in children’s programming. It’s a testament to how much the counterculture influenced early childhood education. Many of the progressive educational experiments of the sixties have since become historical curiosities, replaced by insipid corporate merchandising. What Haack and Nelson’s musical approach tells me is that we’d do well to revisit the educational climate of that day and take a few lessons from its freeform experimentation and openness. I’ll certainly be playing these records for my daughter.