Black Klansman

mattkprovideo.com/2018/08/29/black-klansman/

Like everything Spike Lee does,  its passionate, gripping, perhaps too over the top and I don’t agree with everything he does or says…. but its a great watch.

The klansmen seem like unrealistic buffoons.

I’ve seen other much better depictions of the KKK in film.
Mississippi Burning.
Undercover with the KKK (1979)

Topher Grace looks and sounds so much like David Duke its amazing. He should get an Oscar nomination.

topher duke

It didnt make any sense how the Ron Stallworth became a uniformed cop with a big afro right after his job interview. Don’t new cops have to under a “basic training” style police academy? And aren’t there hair regulations for uniformed police?

The film is set in Colorado Springs but… it being a Spike Lee joint…. I suspect it was made in upstate New York.

Just as Ron was shown to get to be a cop too quickly and easily, I also didn’t quite get how easily he was accepted into the KKK. The most realistic character was where the second in command of KKK wanted the white cop to undergo a lie detector test. THAT I can see. Why would they ( the Klan) trust some guy they just met with secrets that could send them to jail. Surely they knew of Police / FBI infiltrations.
Spike Lee juxtaposes the Klan with the Black Power movement of the 60s and 70s. Its a realistic and believable look at the Black Power movement…… but not so much a convincing look at what might drive someone to join the KKK.

As I did years of research on my racism documentary “The Least of my Brothers” I did a lot of reading on the klan, neo nazis and other far right groups.

Only the second in command of the local Klan chapter felt real. The leader wasn’t so bad… but the fat guy who was ALWAYS drunk seemed too much like a cartoon caricature.

I couldn’t figure out the Colorado Springs Police chief. Was he racist or not? And why?

The film is at its best when Ron listens to a Black Power speech, and although he’s there to spy… you can tell the words are resounding in his mind.

Harry Belafonte is mesmerising in a cameo role, as he sits in a chair and softly tells a story of a real life lynching:
https://www.bustle.com/p/jesse-washington-was-a-real-person-blackkklansman-brings-his-horrific-story-to-light-10041824

And Belafontes story is intercut with the Klans reacting riotously as they watch “Birth of a Nation.”

KKK Grand Dragon Charles Lee told me the Klan regularly showed “Birth of a Nation.”
That film exagerated the original Klan and so glamourized it, that it leads to real life revival of the KKK.

https://www.cvltnation.com/nsfw-american-terrorism-lynching-postcards/

The ending felt too contrived, and when I did same basic internet research, it was all made up. No bomb plot….. the ” I gotcha” phone call to David Duke never happened. The entrapment of the racist cop never happened, and even as a movie scene felt like a sitcom happy ending.
BUT! Spike Lee added in the footage of the alt-righters in Virginia and the car crash attacks on the liberal protestors. That happened so recently but I had pretty much forgottten about it. David Duke and Trumps comments on the issue were so incendiary.
http://www.historyvshollywood.com/reelfaces/blackkklansman/

https://en.wikipedia.org/wiki/BlacKkKlansman

https://www.businessinsider.com/black-klansman-cop-infiltrated-kkk-spike-lee-ron-stallworth-2018-8

 

EDIT!   (September 4, 2018)

I read the original book last night. And I am mad at Spike Lee.

Every movie “based on a true story” condenses events and rearranges things for dramatic effect. We all know that.  But theres something else going on here.

If the book is true history, and I have no reason to believe it isn’t, then the movies first third is accurate, the middle third if iff-ey, but the final third is complete fiction. Not exaggeration, not dramatic license but an absolute lie.

Its bad enough that the screenwriters invented a wholly fictitious bomb plot against a non existent Black power group. And Rons black power girlfriend didn’t exist.

 

But what really ticks me off is the speaker scene. In the film, a character named Jerome Turner ( beautifully played by Harry Belafonte) meets with a Black student group and tells the true story of Jesse Washington, a young African American man lynched and burned in Waco Texas in May 1916.

http://wacohistory.org/items/show/55

The scene is cross cut with the Klansmen getting all riled up watching “Birth of a Nation”.  I think Spike Lee was trying to make the point that the KKK operates out of unfounded paranoia and fear, while most “Black Power” groups are simply a reaction to the Klan, and don’t mean any harm to those who aren’t trying to harm them.  And that the KKK aren’t under threat from anyone but Black people ARE under threat.

Belafontes deliver is soft and understated but VERY effective.

My problem is that there is no such scene in the book. There is a very similar scene that happened several years after the David Duke visit. Similar in that it was a famous Black man giving a speech.

According to Ron Stallworth, the legendary NAACP leader, Ralph Abernathy ( second in command just under Martin Luther King)  came to Colorado to help out in the protests of an “innocent” Black youth who was allegedly “railroaded” in a murder case.

https://gazette.com/news/pastor-celebrates-years-at-church-he-founded/article_4344366f-beab-5013-a6e5-092d665a9679.html

https://www.casemine.com/judgement/us/591491baadd7b0493458cf12

Stallworth said he was assigned to protect Abernathy, and when alone he told him that the young man was clearly guilty of a thrill killing. He wasn’t railroaded. The local Black community was rallying behind a guilty person.

Most Black fears are justified, most protests against injustice are justified. But if Stallworth was right, the Black community was attempting to exonerate a guilty man just because he was Black.  That’s just as bad as white racists attempting to convict an innocent man just because he was Black.

 

ps:  Wikipedia says that:

“The Unification Church hired Ralph Abernathy as a spokesperson to protest the media’s use of the term “Moonies”, which they compared with the word “nigger“.   

Additionally, Abernathy  served as vice president of the Unification Church-affiliated group American Freedom Coalition,  and served on two Unification Church boards of directors. 

Defense of 24 FPS Cinema

mattkprovideo.com/2018/08/27/defense-of-24-fps-cinema/

 

A Defense of 24 FPS and Why It’s Here to Stay for Cinema

 

John Hess shares his thoughts on 24 frames per second for film making and video production.

 

https://filmmakeriq.com/members/gospel_john/

Surfing Go Pro

https://mattkprovideo.com/2018/08/24/surfing-go-pro/

Surfing Go Pro Footage.

Shot at  nlandsurfpark.com  outside of Austin, Texas. August 23, 2018.

 

Shot with a Go Pro ( the in water shots) and also shot with a Canon G-20 ( the shore shots).

 

http://nlandsurfpark.com/

 

I did some time re-mapping and color correction in Adobe After Effects.

Surf instructor Tate Shieman  shot the “in water” stuff for me.

https://www.adobe.com/products/aftereffects.html

I really enjoyed my visit to nlandsurfpark,  the facility is amazing, the staff were great to me.  I can’t wait to go again.

 

Here is one of their official commercials:

Rotoscoped Wrestler

https://mattkprovideo.com/2018/08/24/rotoscoped-wrestler/

 

Video Frames exported as a Photoshop dot psd stack, rotoscoped in Adobe Photoshop and composited with Adobe After Effects.

<a href=”https://wrestlecircus.com/”>https://wrestlecircus.com/</a&gt;

Change my business name?

mattkprovideo.com/2018/08/22/change-my-business-name/

I have been doing after effects, 2d motion graphics, basic 2d flash animation and live action business video for many years. Working for companies as a freelancer

I think I need to change my website / company name from “mattkprovideo.com” to…..

Something  catchier and more appealling to  big businesses.
What do you think?

 

does mattkprovideo make me seem small potatoes?

ArTex Safe Spot

 

Animated web tv commercial for Artex Funding drawn in Adobe Animate ( Flash) and composited in Adobe After Effects.

The flying money was a flat image and animated using PAGE PEEL in After Effects.

I drew the hundred dollar bill in FLASH.

https://www.artexfunding.com 

https://www.artexfunding.com/index.php/contact-us

info@artexfunding.com

Austin Texas 78738
Phone:512.261.0024

Vidor movie description

From a very old version of  a website I haven’t had in years.

http://web.archive.org/web/20010309013751/http://www.kordelski.org:80/vidor2.html

 

The Story:
On September 1st, 1993, Bill Simpson, 36, was murdered 11 hours after leaving  the housing complex in the notoriously all white and allegedly racist town of Vidor, Texas. Simpson was the last African-American to leave Vidor after a failed government experiment in forced integration.
 

Because the blacks in the Vidor Housing Complex received so many death threats, Simpson’s death is shrouded in mystery and conspiracy. After a wave of criminal trials and investigations by the Beaumont Police, The FBI, The Texas Commission on Human Rights, and The Texas NAACP and The Vidor Police, most of the story’s participants were under court gag order or went into hiding.

 

A five year investigation by filmmaker Matt Kordelski,
now attempts to answer the question,

“What Really Happened?”

 

An exhaustive search has resulted in exclusive interviews with many eyewitnesses and participants, most of whom refused to speak up at the time of the murder.

The list includes Vidor residents, friends of Simpson, local and state government officials. Even representatives of the “Invisible Empire,” (Ku Klux Klan) and the right-wing Nationalist movement all agreed to speak their minds on this story.

 

Featured interviews include:

William Hale, Director of the The Texas Commission on Human Rights.

Richard Stewart, the Houston Chronicle reporter who covered this story from beginning to end and whose family befriended Bill.

Ross Dennis, the president of the Vidor Housing Complex Tenants’ Association.

Gerald Guilbeaux, Vidor resident who was featured on the Montel Williams Show exposé on this story.

Doris and “Skeeter” Haire, members of a Vidor Christian group that saved Simpson from a Beaumont Crack House.

Tom Oxford, attorney for East Texas Legal Services.

Mike Daniels, the lawyer who initiated the “Young vs Kemp” suit that led to the forced desegregation of 36 counties in East Texas.

Klan Grand Dragon Charles Lee and some local and regional Klansmen.

Lydia Faye Washington, the woman who saw Simpson’s murder and could identify the shooters. She gave her only interview ever for this documentary.

The Conspiracy:

For many people, Bill Simpsons death has been given an all too easy answer. Police say the death was simply a random drive-by shooting by a local Black street gang. Stories swirl around the area that the shooters knew who they were shooting, and some even say a secret witness saw a white man pull the trigger.

Simpson had received countless death threats from white supremacists in Vidor, and some of his fellow Vidor complex residents say they heard of a specific plot to kill him, which a local Klansman even boasted of participating in.
The Klan:

There were 5 known Ku Klux Klan factions operating in Vidor. The two most important were the White Camelia Knights of the Ku Klux Klan from nearby Cleveland, Texas, led by Grand Dragon Charles Lee. Lee is the Klansman whose face adorns the famous Texas Monthly cover “Vidor: Inside Texas’s most hate filled town.” Michael Lowe comes from Waco, Texas, and represents the Texas faction of the national Knights of the Ku Klux Klan operating out of Harrison, Arkansas.

Another group is located right in Vidor, The Knights of the White Kamellia. Note the different spellings of “Camellia,” a southern flower. The Vidor group uses a “K” and the Cleveland group uses a “C,” although of similar ideology, these groups are not officially aligned.

In the Summer of 1993, after the announcement that Vidor’s housing complex would be desegregated, local Klansmen and Klan supporters called in “reinforcements” from other Klan groups in Texas and the surrounding region. They organized several large rallies in Vidor and at the county courthouse in Orange, City, to generate opposition to the integration of an infamously all-white town. They were also accused of conducting and/or arranging acts of intimidation in and around Vidor to let both blacks and whites know the Klan wasn’t going to take this sitting down.

Criminal charges were filed against Klansmen from the various factions, but most were unprovable. The Camellia Klan allegedly drove their bus through the housing complex brandishing weapons. Someone hung a “White Power” sheet on a highway overpass. Threats were made to the city leaders who publicly supported integration and various anonymous threats to blow up or burn down the complex were made.

Klan leader Michael Lowe participated in a publicity stunt arranged by an Australian version of “A Current Affair” wherein Lowe showed up at Bill Simpson’s door to “talk.” Klan leaders Charles Lee and Michael Lowe were both sent to prison for short jail terms, not for any particular criminal activity but for refusing to surrender their secret membership lists.

BST

mattkprovideo.com/2018/08/19/bst-2/

 

 

http://web.archive.org/web/20010205145200/http://www.kordelski.org:80/resume3.html

“Blood, Sweat and Teeth,” © 1999, One Horn Productions.

Executive Producer: Vic Feazell, Director: Adam Warren, Lead Shooter and Editor: Matt Kordelski.

“Vale Tudo.” Its a Brazillian word that means a fight where you use everything you’ve got, no matter how unconventional, to succeed. We found ourselves saying “Vale Tudo” a LOT while making this independent movie.

This video takes a look into the life of an ambitious young athlete, (David “Rhino” Rivera) training to become an “Ultimate Fighter” and his experiences at his debut fight in Macon, Georgia. It took about a month to shoot and just under five months to edit.

I was NOT the director, I was one of 3 creative forces at work here. Adam Warren (the director,) was still a local Austin celebrity because of the hype from his independent film Rhinos, and met Rivera while judging a “hardbody contest,” and convinced the Vic Feazell, (the Rhinos producer) to bankroll this documentary. Adam wanted a slick MTV type production, Vic wanted to concentrate on the fights, while I wanted an “introspective” PBS style documentary. Like any great compettition, I’d like to think we brought out the best in each other and the 3 way struggle helped the film.

We looked at the most acclaimed fighting documentary, “Choke,” as well as many other “Ultimate Fighting Championship” (UFC,) and “Extreme Challenge” tapes and came to the conclusion that what made the best of them work is when they focused on WHO was fighting and not just the violence. The “Rocky” movies, especially “Rocky III” get you involved in the characters and you WANT to see the hero win and get an emotional satisfaction from seeing the villain humbled (pro-wrestling mastered this decades ago). I think this is why pro boxers hold a pre-match press conference so that the fans can see them argue and boast.

While David Rivera was neither hero nor villain, we knew we had to capture his humanity so that the audience would be emotionally invested in seeing if he won or lost.

We shot most of the interviews and training scenes on a BetaCam UVW 100B wi th either natural location lighting or a basic Lowell light kit. Adam was also running a handheld mini-DV most of the time. We built up a stock pile of footage of Rivera at Jiu Jitsu class, a boxing gym, and interacting with his family.

While Adam Warren was an inexperienced director, he was an awesome “producer” in the sense that he knew how to pry open doors and get people to cooperate that we couldn’t otherwise. He made instant friends with a lot of the fighters and got them to relax and agree to in-depth interviews and got them to let us follow them into their dressing rooms and into the ring.

The Macon City Auditorium has a 360º balcony, so I set up the Betacam on a tripod to get a basic master shot. Adam had his mini-DV on a steadi-cam and Chad Nell was getting extra footage on a hand held Hi 8. We used the auditoriums normal lights, but afterwards I wished we had been more aggressive in getting the auditorium staff to shut off the house lights and use their spot light. At first I thought the hand held cameras were a bad idea, and we should just stick with theTripod bound BetaCam. However, when we got into editing I saw how Chad and Adam’s shots taken from right next to the ring gave the scenes an intimacy and immediacy that the wide shot lacked.

One potential problem became an asset that I have deliberately duplicated many times since. Chad left the “date and time” turned on while he shot, so some other best shots had amateurish numbers across the bottom and were theoretically un-usable. It broke my heart that the best close ups couldn’t be in the movie. I transferred ALL of the DV and HI-8 to big 90 minute Betas, brought them into the Avid (MC1000,) and started to delete footage I knew we’d never use. Before I dubbed the footage back to tape, I made a last ditch effort to save those golden Hi-8 shots. After several failed experiments, I came up with a way (okay, I’m sure lost of other editors were doing this way before me, but I did come up with it on my own) to reduce the color saturation to zero, increase the contrast, and use a 78% mask wipe on the horizontal edges, and VOILA! It looks almost identical to letterboxed, Black and White 16mm documentary film. The letter boxing hid the “date and time” and the B&W effect gave that footage a gritty film look. Its’ hilarious to me when I read reviews that rave about the “film” scenes, and how those parts are so much better than the BetaCam scenes. Its consumer grade tape thats had its picture quality reduced even further! I also rendered some of the scenes through Adobe After Effects to add radial blurs to draw attention to some of the best punches and kicks. I even tried to “film look” some of the BetaCam footage, but except for some rough hand held work, most of it was obviously doctored video tape.

It was extremely difficult find the right balance between story and action, and theres no real way to please everybody. I’ve gotten wildly mixed reactions from folks who have seen it. “Not enough fighting” “Too much fighting,” “Too much music,” “Not enough music.” I’ve learned what kind of criticisms to take to heart, and what to dismiss someones personal preference. A lot of the feed back was kept in mind when we shot and edited the follow up movie, “Rage in the Cage.

Hailee & Aundra Wedding Video

https://mattkprovideo.com/2018/08/17/hailee-aundra-wedding-video/

Hailee & Aundra Wedding Video


<p><a href=”https://vimeo.com/281787283″>Hailee Roberson_HL</a> from <a href=”https://vimeo.com/user61321325″>Classic Photographers</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

 

Hailee & Aundra got married on Thursday June 14, 2018.   It was held at the Chandelier of Gruene.

This is the highlights of their Wedding Video.

The Sunlight going into their open air pavillion really made the videography look great. I am really proud of the bright colors captured by the go pro on a gimbal.

 

I shot this with multiple cameras but it was edited by CLASSIC PHOTOGRAPHERS.

 

Chandelier of Gruene.