Category Archives: cinematography

Making of ALIENS, miniatures work.

mattkprovideo.com/2017/09/01/making-of-aliens/mattkprovideo.com/2017/09/01/making-of-aliens/

https://www.youtube.com/watch?v=J43vXq-Cvfo

The Making of Aliens (1986)

There is some really awesome miniatures work in this documentary. This is way better than most “behind the scenes” videos that are really just commercials for the movie.

https://en.wikipedia.org/wiki/Aliens_(film)

Aliens is a 1986 American science-fiction action horror film written and directed by James Cameron, produced by Gale Anne Hurd and starring Sigourney Weaver, Carrie Henn, Michael BiehnPaul ReiserLance HenriksenJenette GoldsteinWilliam Hope, and Bill Paxton. It is the sequel to the 1979 film Alien and the second installment in the Alien franchise. The film follows Weaver’s character Ellen Ripley as she returns to the moon where her crew encountered the hostile Alien creature, this time accompanied by a unit of space marines.

Gordon CarrollDavid Giler, and Walter Hill of Brandywine Productions, who produced the first film and its later sequels, served as executive producers on Aliens. They were interested in a follow-up to Alien as soon as its 1979 release, but the new management at 20th Century Fox postponed those plans until 1983. Brandywine picked Cameron to write after reading his script for The Terminator; when that film became a hit in 1984, Fox greenlit Aliens with Cameron as director and a budget of approximately $18 million. It was filmed in England at Pinewood Studios and at a decommissioned power plant in Acton, London.

Aliens was released on July 18, 1986 and grossed $180 million worldwide. It was nominated for seven Academy Awards, including a Best Actress nomination for Sigourney Weaver, winning both Sound Effects Editing and Visual Effects. It won eight Saturn Awards (Best Science Fiction FilmBest Actress for Weaver, Best Supporting Actor for Paxton, Best Supporting Actress for Goldstein, and Best Direction and Best Writing for Cameron), and a Hugo Award for Best Dramatic PresentationEmpire magazine voted it the ‘Greatest Film Sequel Of All Time’.[citation needed] Aliens was the seventh highest-grossing film of 1986 in North America.[citation needed]

A sequel, Alien 3, was released in May 22, 1992, with Weaver’s reprising her role as Ellen Ripley and Henriksen as Bishop in the film.

 

Visual effects 

Brothers Robert and Dennis Skotak were hired to supervise the visual effects, having previously worked with Cameron on several Roger Corman movies. Two stages were used to construct the colony on LV-426, using miniature models that were on average six feet tall and three feet wide.[31] Filming the miniatures was difficult because of the weather; the wind would blow over the props; however, it proved helpful to give the effect of weather on the planet. Cameron used these miniatures and several effects to make scenes look larger than they really were, including rear projection, mirrors, beam splitters, camera splits and foreground miniatures. Due to budget limits, Cameron said he had to pay for the robotic arm used to cut into Ripley’s shuttle in the opening scene.[31][32]Practical effects supervisor John Richardson (who won a special effects Oscar for his part in the film) declared his biggest challenge was creating the forklift power loader exoskeletons, which required only three months of work and had Cameron complaining about visual details during construction. The model could not stand on its own, requiring either wires dangling from the shoulders or a pole through the back attached to a crane. While Sigourney Weaver was inside the power loader model, a stunt man standing behind it would move the arms and legs.[29]

Facehugger prop for Aliens, 1986. National Museum of Cinema, Turin

The alien suits were made more flexible and durable than the ones used in Alien to expand on the creatures’ movements and allow them to crawl and jump. Dancers, gymnasts, and stunt men were hired to portray the aliens. Various 8 feet (2.4 m) tall mannequins also were created to make aliens that stood in inhuman poses, and could have their bodies exploded to simulate gunshot wounds. Stan Winston’s team created fully articulated facehuggers that could move their fingers; these were moved by wires hidden on the scenery or the actors’ clothing. The one that walked towards Ripley had a mechanism akin to a pull toy, with pulleys that moved the fingers, and its jump combined three models shot separately: the walking facehugger, a stationary model dangling on a table leg, and another model being pulled towards the camera.[30]

According to production staff, scenes involving the alien queen were the most difficult to film. A life-sized mock-up was created by Stan Winston‘s company in the United States to see how it would operate. Once the testing was complete, the crew working on the queen flew to England and began work creating the final version. Standing at 14 feet (4.3 m) tall, it was operated using a mixture of puppeteers, control rods, hydraulics, cables, and a crane above to support it. Two puppeteers were inside the suit operating its arms, and 16 were required to move it. All sequences involving the full size queen were filmed in-camera with no post-production manipulation.[31] Additionally, a miniature alien queen was used for certain shots.

 

https://alienseries.wordpress.com/2017/04/22/alien/

 

 

Bill Paxton, May 17, 1955  to  February 25, 2017

http://www.eonline.com/news/834089/bill-paxton-s-cause-of-death-revealed

After Bill Paxton‘s unexpected death, the cause of his passing has been revealed.

While a representative of Paxton’s family confirmed that the Big Love star died on Feb. 25 following “complications from surgery,” according to the 61-year-old’s death certificate obtained by E! News, he suffered a stroke stemming from surgery a week earlier.

On Feb. 14, Paxton underwent a valve replacement and aortic aneurysm repair. According to the certificate, the actor later experienced an aortic aneurysm that lead to his deadly stroke. The husband and father died at Cedars-Sinai Medical Center in Los Angeles.

What I Learned from Blade Runner

What I Learned (about filmmaking) From Watching: Blade Runner (1982

Published on Jun 11, 2016

What can Blade Runner teach us about the art of filmmaking? 1982 was a big year for movies—an existential cyberpunk noir film had a tough time competing with Spielberg’s lovable E.T. and yet, Blade Runner has not only stood the test of time, but it is arguably more popular now than it has ever been. Join me as I take an in-depth look at the construction of Ridley Scott’s Blade Runner and how its cinematography techniques created such a fascinatingly detailed world. This video is on The Final Cut version of the film.

Buying a camera? Watch this first.

https://www.youtube.com/watch?v=91Ik_nYYIFY

http://nofilmschool.com/2017/08/buying-camera-watch-first

 

“The worst thing you can do is purchase a camera on a credit card.”

Before you make that big camera purchase, Sareesh Sudhakaran (AKA Wolfcrow) has some cautionary advice. His most salient point: You don’t need a camera if you aren’t planning to make a movie immediately.

Still really want that camera? Only buy it if you have a detailed plan for how it can make you money.

 

Sudhakaran argues that, contrary to popular opinion, cameras are not really an investment. That’s because once you buy a camera, it loses value immediately.

“A camera has a certain time period after which it is no longer lucrative,” Sudhakaran says. “A camera today is only good for about two years. After two years, the manufacturer will release an upgrade or new model. By the third year, the camera starts to feel and look old. Clients won’t want it.”

Due to this certain depreciation in value, Sudhakaran says the worst thing you can do is purchase it on a credit card that charges interest. You’ll want to make your money back in two years; after two years, you can resell your camera at 40-50% of the original purchase price. And in the interim, you’re going to have to charge clients a premium to make that camera purchase financially worthwhile.

Sudhakaran also points out that camera-hungry newcomers don’t always understand hidden costs, such as maintenance, insurance, or travel permits.

So before you buy that shiny new gear, make sure you have a solid money-making plan and have done your due diligence about hidden costs.

 

 

History of Movie Titles

https://mattkprovideo.com/2017/07/31/history-of-movie-titles/

The History of Movie Title Sequences

 

Check out the full course along with bonus content and a list of sauce at: https://filmmakeriq.com/courses/the-h…

 

Not only do Title Sequences tell you the name of the film and the stars, they can also set the tone and mood and put you in the right frame of mind to experience the film or TV show to come. Explore the history of the title sequence and how they’ve evolved along with business of filmmaking over the past century. If you have any further questions – check out our questions page:

https://filmmakeriq.com/balcony_categ…

RIP George A. Romero

https://mattkprovideo.wordpress.com/2017/07/17/rip-george-a-romero 

 

http://www.latimes.com/entertainment/movies/la-me-george-romero-20170716-story.html

George A. Romero, ‘Night of the Living Dead’ Director, Dies at 77

George A. Romero, who launched the zombie film genre with his 1968 “Night of the Living Dead,” died on Sunday, Variety has confirmed. He was 77.

The director died in his sleep following a battle with lung cancer, according to a statement from his manager Chris Roe.

“Legendary filmmaker George A. Romero passed away on Sunday July 16, listening to the score of ‘The Quiet Man,’ one of his all-time favorite films, with his wife, Suzanne Desrocher Romero, and daughter, Tina Romero at his side,” the statement said. “He died peacefully in his sleep, following a brief but aggressive battle with lung cancer, and leaves behind a loving family, many friends, and a filmmaking legacy that has endured, and will continue to endure, the test of time.”

Made in Pittsburgh on a budget of $114,000, “Night of the Living Dead” made $30 million and became a cult classic. Romero’s friends and associates in his Image Ten production company pooled their funds to make the film. Influenced by Richard Matheson’s novel “I Am Legend,” the black and white film about a group of people trapped in a Pennsylvania farmhouse who fall prey to a horde of the undead was said to be a critique of capitalism during the counter-culture era.

After “Night of the Living Dead,” he directed films including “There’s Always Vanilla,” “Season of the Witch,” and “The Crazies,” although none had the impact of his first film. His 1977 vampire arthouse pic “Martin” was somewhat more well-received.

He went back to zombies with “Dawn of the Dead,” which made more than $55 million on a half a million dollar budget, then made his third Dead movie with “Day of the Dead” in 1985.

His non-zombie films of that period gained more attention, including “Knightridgers” about jousters who re-enact tournaments on motorcycles and the anthology “Creepshow” written by Stephen King.

Among his other films from the 1980s and 1990s were “Monkey Shines,” Edgar Allen Poe adaptation “Two Evil Eyes,” in collaboration with Dario Argento, “The Dark Half’ and “Bruiser.”

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He exec produced and updated his own screenplay for Tom Savini’s 1990 remake of “Night of the Living Dead.” He made a cameo appearance in “The Silence of the Lambs.” Romero was originally set to direct “Resident Evil,” but left the project due to creative differences.

His fourth Dead movie “Land of the Dead” was made in Toronto in 2005, starring Simon Baker, Dennis Hopper, Asia Argento and John Leguizamo.

He followed that with “Diary of the Dead” in 2008 and “Survival of the Dead” in 2010. He also worked on video games and wrote comic books.

Born in the Bronx, Romero’s father was Cuban and his mother Lithuanian. He graduated Carnegie Mellon University in Pittsburgh, then began shooting shorts and commercials, including a segment of “Mr. Rogers Neighborhood.”

He is survived by his wife Suzanne and two children.

 

keywords:  george a. romero,  obituary, night of the living dead, horror, zombies, dawn of the dead, independent film

Saugata Ghosh Memorial

https://mattkprovideo.com/2017/07/15/memorial-service-july-14-2017/

 

 

Saugata Ghosh, age 34, of Austin, Texas passed away on July 9, 2017.He was born April 20, 1983 in Contat, West Bengal, India to Narayan and Dharitri Ghosh. He married Rakhi Bhattacharjee on June 18, 2008. Saugataworked as a Data Architect for Stonebridge Acquisition in Tulsa, Oklahoma.

Survived by wife, Rakhi Bhattacharjee, and his parents.

Funeral services were held on Friday, July14, 2017 at 3:00 pm in the chapel of Ramsey Funeral Home.

His family and friends gathered at Ramsey Funeral Home in Georgetown, Texas to remember and praise this remarkable man.

I was hired to make a video documentary of this Funeral /Memorial Service, July 14 2017.

http://www.ramseyfuneral.com/memsol.cgi?user_id=1985184

 

https://www.gofundme.com/SaugataGhoshsFamily

 

Shot with a Canon t3I DSLR, Canon G20 camcorder and edited with Adobe Premiere with some color correction in After Effects.

http://www.ramseyfuneral.com/

 

 

GAME OF DEATH needs to be remastered

 

Theres lots of older movies that get digitally remastered / enhanced “special editions.” And many new Hollywood hits use face replacement technology- to put stars faces onto stunt performers etc…

 

https://en.wikipedia.org/wiki/Game_of_Death

When the greatest Asian Martial Arts star ever, Bruce Lee, died leaving his last film ” Game of  Death” unfinished, the producers TRIED to save the project with body doubles and awful 1970s face replacement technology:

https://www.youtube.com/watch?v=1bAdMrMxMm0

 

By todays standards, it is laughably bad.

I would like to suggest that whoever has the rights to the original master footage of Game of Death partners up with ILM or whoever and make a special edition.  Replace Lees face with state of the art CGI, clean up and remaster the rest of film, and maybe even make it 3D.

 

Now, I don’t think facial replacement technology is quite where it should be – yet. They’re getting closer to reality. Tarkin and Lei came close, but there is something inescapably difficult to capture about the human face that even the best efforts look a little…. goofy. I think Lee would be worth the effort.

 

Bruce Lee is still thought of as one the greatest movie stars in the world. I think a “new” 3D film starring the Legendary Bruce Lee would be a huge hit in Asia, America and most of the world.  They would more than make their money back and then some.

 

This is a whiskey commercial with a CGI Bruce Lee that comes REALLY close:

https://www.youtube.com/watch?v=SPyoiOTdHio

https://www.youtube.com/watch?v=f7B0SUQeGZY

http://www.imdb.com/title/tt0077594/

http://fightland.vice.com/blog/game-of-death-bruce-lees-unfinished-business

http://www.fanpop.com/clubs/bruce-lee/articles/141995/title/game-death-1972-original-plot

http://theamericanreader.com/the-curses-the-fates-the-races-the-fakes-the-faces-the-names-of-the-game-of-death-or-the-game-of-death/