Category Archives: web video

Wedding Video pricing

http://problog.weddingwire.com/index.php/education-expert/dos-and-donts-of-pricing/

 

Receiving a question about pricing can be daunting and tricky to navigate. On the bright side, receiving a price inquiry is a definite sign of interest and should be exciting! When a couple makes an inquiry regarding price, you should see it as a buying signal rather than a red flag. If they are reaching out, it means that they’ve vetted you and you’ve made it to the final round, so making an inquiry is simply the next step for them.

Education Expert Alan Berg shared some of his do’s and don’ts of pricing in our July Premium Webinar last week (Premium Members can watch the full recording in their account Education Center). We’ve pulled together a list of his best tips to help equip you for those often-dreaded pricing questions when they hit your inbox.

DO’S

  • Do reply as quickly as possible to an inquiry. If you respond to a potential client within 5 minutes, rather than 30, you are 100x more likely to connect with that lead. Why 5 minutes? That’s fast! By responding in 5 minutes, you can almost ensure that the person is still mentally and physically in the same place rather than having moved on to other things.
  • Do reply on the same platform that they used for their inquiry. The best practice here is to give couples all the possible ways to contact you, let them choose what works best for them, and then promptly reply on that channel.
  • Do acknowledge a question about price, don’t dodge it. If you need more information to give an accurate price, that’s completely fine! Just be upfront and transparent about it. Let them know that you are going to get them an answer, you just need to gather a bit more information about their big day first! Then, make sure to ask questions to start gathering that information to show that you are taking the necessary steps towards getting them that answer.
  • Do provide some pricing information on your website or WeddingWire Storefront. Couples are likely to distort their budget or may have a skewed sense of it (couples tend to underestimate their wedding costs by 40%!). Ideally, your pricing information would be available to them on your website or WeddingWire Storefront before they even reach out. 88% of couples want to see pricing of some sort before getting in contact with a vendor. That means you could be cut from the short list before you even have the chance to talk to them, so don’t hold out.

DON’TS

  • Don’t assume that a couple can’t afford you just because they are asking about price! How often do you determine the price of something before buying it? Probably all the time! Because this is a first time shopping experience for most couples, they don’t necessarily know what their needs are or what they are looking for, and therefore don’t know what other questions to ask. You are their guide, so help them out!
  • Don’t lead with your lowest price. Typically, the first number you hear is the number you expect to pay, which ends in an unfair result for everyone. Instead, give a price range. As a simple example you can say, “Our prices range from $x – $x, with our most popular option being $x.”. Along with a price range, consider pointing out some of the ways you differentiate in order to sell them on you, not just your price.
  • Don’t be afraid to address a low budget. If a couple gives you an idea of their budget for your service and it’s far below your pricing, politely let them know that you completely understand but that you cannot deliver the quality of work that you do within that budget. If possible, try to give them other options that you can provide, although it won’t include everything that they want, within their budget.
  • Don’t dump data and attachments. Instead, give a short, concise answer and try to make sure that it fits on a smartphone screen without the need to scroll. Most people will be answering and opening on their phones and if the information given is too long or overwhelming they aren’t likely to read it or keep it.

Buying a camera? Watch this first.

http://nofilmschool.com/2017/08/buying-camera-watch-first

 

“The worst thing you can do is purchase a camera on a credit card.”

Before you make that big camera purchase, Sareesh Sudhakaran (AKA Wolfcrow) has some cautionary advice. His most salient point: You don’t need a camera if you aren’t planning to make a movie immediately.

Still really want that camera? Only buy it if you have a detailed plan for how it can make you money.

 

Sudhakaran argues that, contrary to popular opinion, cameras are not really an investment. That’s because once you buy a camera, it loses value immediately.

“A camera has a certain time period after which it is no longer lucrative,” Sudhakaran says. “A camera today is only good for about two years. After two years, the manufacturer will release an upgrade or new model. By the third year, the camera starts to feel and look old. Clients won’t want it.”

Due to this certain depreciation in value, Sudhakaran says the worst thing you can do is purchase it on a credit card that charges interest. You’ll want to make your money back in two years; after two years, you can resell your camera at 40-50% of the original purchase price. And in the interim, you’re going to have to charge clients a premium to make that camera purchase financially worthwhile.

Sudhakaran also points out that camera-hungry newcomers don’t always understand hidden costs, such as maintenance, insurance, or travel permits.

So before you buy that shiny new gear, make sure you have a solid money-making plan and have done your due diligence about hidden costs.

 

 

The 1967 Plainfield, NJ Riots

https://mattkprovideo.com/2017/08/09/the-1967-plainfield-nj-riots/

 

The 1967 Plainfield, NJ Riots.

http://www.npr.org/templates/story/story.php?storyId=12329840

 

http://www.mycentraljersey.com/story/news/history/new-jersey/2017/07/14/recalling-1967-plainfield-riots/464715001/

 

https://en.wikipedia.org/wiki/1967_Plainfield_riots

2 days after some Black folks began rioting in Newark in 1967, the riots in Plainfield NJ started.

Plainfield is 18 miles southwest of Newark, and 1/3 of Plainfield’s 48,000 people were Black.

Tensions remained high that summer through the night of Friday, July 14 when a fight broke out at a local diner, The White Star.

 

40 young black men left the diner and marched back to their housing project in the West End  of Plfd.

Expressing their anger along the way by smashing store windows and tossing stones at cop cruisers. The group dispersed When the Plainfield police showed up.

On Saturday night trouble started again.

Lifetime Plainfield residents said that “outside agitators” from elsewhere came to provoke violence and to “rile up” the community.

 

Some of them were white males & some were blacks. The hate they provoked was infectious.

Looting increased &  Molotov cocktails were hurled at fire trucks.

Cops from surrounding jurisdictions were called in and the rioters left as rain started early Sunday morning.

Several hundred on sunday  people convened at a local park to hear the local Dir of Human Relns discuss the situation in the city.

Park Police, who had jurisdiction over the park,  decided the meeting was unlawful and ordered the crowd to disperse.

The crowd broke up and reformed in  West  Plainfield where widespread rioting resumed.

the Pagan motorcycle gang entered the area and a confrontation between a  group of young black men and the white  Pagan  gang was erupting.

Police Officer John Gleason got between the two groups and the Pagans left.

The remaining crowd of Plainfielders refused to disperse and  Gleason became surrounded by the crowd which began to threaten him and close in on him.

Gleason feared for his life and fired a shot at a young man and wounded him.

When Gleason attempted to leave the area to get help, he was overtaken by a mob and was beaten with a steel grocery store cart, stomped and eventually brutally shot and killed with his own police pistol.

Middlesex arms theft 

meanwhile in Middlesex New jersey, a gun factory was raided and 46 automatic weapons were stolen.

The Plainfield Machine Company produced M1 carbines for the civilian market.

The stolen rifles found their way onto the streets of Plainfield.

The cops were anxious because of the large number of guns now on the streets and the Plainfield Fire Department Station was under constant gunfire for five hours.

Bullet marks in the brick walls are still there. Finally,

Nj Army  National Guardsmen, in armored personnel carriers relieved the station.

The Plainfield cops tried to have residents turn in the stolen rifles.

Black residents felt that having the guns in the community kept the police at bay and that they now had power over the police.

When none of the stolen guns were returned, the area was cordoned off and 300 heavily armed New Jersey State Police and National Guardsmen started a house-to-house search for the stolen weapons.

After an hr 1/2, with 66 homes searched, the operation was called off.

 

Plainfield New Jersey  declined from the stigma of the riots and many of the looted/ burned looted businesses remained vacant for over four decades.

After leaving, since the owners didn’t want to live there anymore but couldn’t sell, they sometimes let them go  derelict.

Artex vulture, made in flash and after effects

 https://mattkprovideo.com/2017/08/06/artex-vulture-made-in-flash-and-after-effects/

Arties vulture, made in adobe flash and adobe after effects.

 

With a nod to being honest. I did not do the character design myself. I simply googled: “Cartoon Vulture”  and got:

 

 

And of course, the logo is a parody / homage / (rip off?) of the Warner Brothers Looney Tunes logo from a thousand classic cartoons.  I changed it from red to blue, to distinguish it from Looney Toons and I thought it was a better color compliment to the yellow letters.

The blue circles were “painted” in Adobe Photoshop and turned into a dozen 3D space layers in Adobe After Effects. The letters are yellow helvetica with a white stroke around them. And then a black stroke around that. I rasterized the letters and individually tilted them using the lasso and transform tool.

Texas Entrepreneur Network Kinetic Type

https://mattkprovideo.com/2017/08/04/texas-entrepreneur-network-kinetic-type/

Texas Entrepreneur Network Kinetic Type

This is a rough draft of an upcoming  web commercial I am making.

 

 

Made in Adobe Flash ( adobe Animate)   and some Adobe Photoshop, composited in Adobe After Effects.

https://tenfundingportal.com

Simple Animation

https://mattkprovideo.com/2017/08/04/simple-animation/

This isn’t my work, but I like and admire it.  I need to be doing THIS:

 

 

Animation that is simple but still gets its message across!

 

Probably Adobe Animate / Adobe Flash   ( or maybe Toon Boom?) and maybe some Premiere and or After Effects.

 

Charlie Munger: The Psychology of Human Misjudgement

In 1995, Charlie Munger gave a speech about how the human mind tricks itself into making poor decisions. This is an abridged and animated version of that speech. Listen to the full unabridged audio here: https://www.youtube.com/watch?v=pqzcC… Read the full transcript here: https://buffettmungerwisdom.files.wor… A fun little passion project by Tiny (http://tiny.website) with amazing animation by the team at Thinko (http://thinko.com).

Star Trek Ahead of Its Time

mattkprovideo.com/2017/07/28/star-trek-ahead-of-its-time/

Top 10 Times Star Trek Was Way Ahead of Its Time

I so love this list.  When I watch watch Star Trek reruns in the 70s, ALL of the technology was fantasy.

Even the automated doors.  I can remember as  acid most grocery stores had old style hinged doors, but more and more were started to add “futuristic” automatic sliding doors.  As kids we loved to play with them, jumping on the pad to get the electronic doors to open ”like on star trek”.

When cell phones arrived in the late 90s, we were like “ we finally have star trek communicators….

Sure, it was always  the tendency of electronics to keep getting smaller and better. Big military and Police  radios were too expensive and too big for regular people. But maybe one day inventors could make “radios” like that available to regular folk.  And Star Trek put ideas like that into engineers minds,  Star Trek had the idea, not the science, to do it. Engineers could take Star Trek ideas and build the science into it.

Star Trek had desktop computers 30 to 40 years before the real world did.  PADD’s….. iPads…

Tablets…

We don’t have replicators but we have the beginnings of 3D printing. We don’t have warp drive but…. well we’re nowhere near THAT, but who knows, maybe some day…

 

One thing this list forgot to include is that in the sixties, medical technology on Star Trek was pure fantasy. You could see a patients vital signs on computer screens. That didn’t exist then but its common place now.

DEATH GARAGE by the Nematoads.

https://mattkprovideo.wordpress.com/2017/07/22/death-garage-by-the-nematoads/?preview=true&preview_id=2522&preview_nonce=fdb30f2f30

Surf Rock Music Video for Austins best surf rock  band, the Nematoads.

Ted James, lead Guitar. George Pestana, Drums.  Daniel Tiger Anaya on Horns.

Shot at Headhunters and Trophy’s, Austin, Texas.

 

http://www.nematoads.com/

http://deepeddy.net/

Shot with a Mix of Hi Def and Standard Def footage and some GoPro shots.  Edited with Adobe Premiere and After Effects. Produced by Matt Kordelski.