www.mattkprovideo.com/2024/04/22/anti-cuban-cartoon-from-the-reagen-era/
Anti Cuban cartoon from the Reagen era
US anti-communist propaganda cartoon. This cold war-era animated film depicts the tragedy that unfolds when a young Communist revolutionary trained in Cuba returns to his home country in Latin America. –
Creator(s): U.S. Information Agency. 1982 – Released to the public domain in Mar. 2016.
SOURCE: – Original:
Presumably made with old images cut up into Photoshop layers, and animated in after effects
It wasn’t available on YouTube so I put my phone on a tripod and videos-ed the screen.
Buckle Up by Brad Guitar Wilson
www.mattkprovideo.com/2024/04/18/buckle-up-by-brad-guitar-wilson/
“Buckle Up” by Brad Guitar Wilson, from the album of the same name.
This was crafted from stock footage and a lot of Adobe Photoshop and After Effects motion graphics work by http://www.mattkprovideo.
It was all edited with Adobe Premiere.
http://www.bradwilsonlive.com/
Life insurance animation
Buckle Up, V3
www.mattkprovideo.com/2024/04/15/buckle-up-v3/
Made for Brad Guitar Wilson.
Edited with Adobe Premiere. With motion graphics made with Adobe Animate, Adobe After Effects, and Adobe Photoshop.
Buckle Up Music Video, V 2
Edited in Adobe Premiere with graphics made with Adobe Photoshop and Adobe After Effects.
www.mattkprovideo.com/2024/04/13/a-youtube-podcast-i-worked-on/
This isn’t “my” project.
I was created by Canadian JFK assassination researcher Fred Litwin.
He has written three books on the Kennedy Assassination. “I was a teenage jfk assassination conspiracy freak,” “On the trail of delusion” (about the Clay Shaw / Jim Garrison case in New Orleans) and “Film Flam: Oliver Stone the demagogue of Dealey Plaza.” He’s probably going to have more eventually.
The producer recorded it as a single 2 frame wide shot.
Using Adobe Premiere, I cut into certain shots and scaled them up between %150 to %300 to create Close Ups out of the wide shots.
I also added B Roll footage to correspond with what they’re talking about ( and they talked about a lot of stuff).
Much of the footage is from several trips I made to Dallas to get footage for my upcoming documentary “The Grassy No.”
Already Over by Mike Shinoda.
I’m assuming they made this with photographs and an enormous amount of Photoshop and after effects work
mattkprovideo 